Writing in water, or, evanescence, enchantment and ethnography in a Chinese urban park

Angela Zito

    Research output: Contribution to journalArticle

    Abstract

    This article reflects upon my experience of filmmaking in a public park in Beijing where I learned to write Chinese calligraphy in water. The essay is committed to the idea that people simultaneously produce persons and worlds in practices that result in the material mediations within which those selves are entangled, and also powerfully engage the environment. Thus, the film features aesthetics that form through the embodiment of a certain kind of politics. It emerged in performance but now exists as an artifact, an example of what philosopher Jane Bennett calls "enchanted materialism." By combining moments of liveness and objectification, it mimics, in a small way, the production of the social itself. Ethnography, I argue here, should account for as much of this dialectical process as it can.

    Original languageEnglish (US)
    Pages (from-to)11-22
    Number of pages12
    JournalVisual Anthropology Review
    Volume30
    Issue number1
    DOIs
    StatePublished - 2014

    Fingerprint

    feature film
    objectification
    materialism
    ethnography
    mediation
    artifact
    aesthetics
    water
    human being
    politics
    performance
    experience
    Artifact
    Ethnography
    Embodiment
    Person
    Enchantment
    Aesthetics
    Liveness
    Beijing

    Keywords

    • calligraphy
    • China
    • documentary
    • embodiment
    • enchantment
    • performance
    • writing

    ASJC Scopus subject areas

    • Anthropology
    • Arts and Humanities (miscellaneous)

    Cite this

    Writing in water, or, evanescence, enchantment and ethnography in a Chinese urban park. / Zito, Angela.

    In: Visual Anthropology Review, Vol. 30, No. 1, 2014, p. 11-22.

    Research output: Contribution to journalArticle

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