Abstract
The discovery of female figurines at Brassempouy in the 1890's would launch more than a century of debate and interpretation concerning Paleolithic representations of women. The figurines emerged from the ground into a colonial intellectual and socio-political context nearly obsessed with matters of race. This early racial interpretive frame would only be replaced in the mid 20th century, when prehistorians turned to questions such as fertility and womanhood. The first figurines were discovered in 1892 under rather tortured circumstances in which their very ownership was the subject of a heated dispute between Edouard Piette and Emile Cartailhac. Their toxic relationship would lead Piette, in his subsequent excavations, to be extremely precise about issues of stratigraphic and spatial provenience. Piette's publications and archives enabled Henri Delporte to confirm the Gravettian attribution of the figurines and have allowed the present author to create a map of their spatial distribution within the site. Technological and microscopic analysis of the Brassempouy figurines resolves some lingering questions about the sex of certain of the figurines and suggests an original context of figurine fabrication and the abandonment of unsuccessful sculpting attempts.
| Original language | English (US) |
|---|---|
| Pages (from-to) | 250-303 |
| Number of pages | 54 |
| Journal | Journal of Archaeological Method and Theory |
| Volume | 13 |
| Issue number | 4 |
| DOIs | |
| State | Published - Dec 2006 |
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Keywords
- Brassempouy
- Female statuettes
- Grotte du Pape
- Venus figurines
ASJC Scopus subject areas
- Archaeology
- Archaeology
Cite this
The women of brassempouy : A century of research and interpretation. / White, Randall.
In: Journal of Archaeological Method and Theory, Vol. 13, No. 4, 12.2006, p. 250-303.Research output: Contribution to journal › Review article
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TY - JOUR
T1 - The women of brassempouy
T2 - A century of research and interpretation
AU - White, Randall
PY - 2006/12
Y1 - 2006/12
N2 - The discovery of female figurines at Brassempouy in the 1890's would launch more than a century of debate and interpretation concerning Paleolithic representations of women. The figurines emerged from the ground into a colonial intellectual and socio-political context nearly obsessed with matters of race. This early racial interpretive frame would only be replaced in the mid 20th century, when prehistorians turned to questions such as fertility and womanhood. The first figurines were discovered in 1892 under rather tortured circumstances in which their very ownership was the subject of a heated dispute between Edouard Piette and Emile Cartailhac. Their toxic relationship would lead Piette, in his subsequent excavations, to be extremely precise about issues of stratigraphic and spatial provenience. Piette's publications and archives enabled Henri Delporte to confirm the Gravettian attribution of the figurines and have allowed the present author to create a map of their spatial distribution within the site. Technological and microscopic analysis of the Brassempouy figurines resolves some lingering questions about the sex of certain of the figurines and suggests an original context of figurine fabrication and the abandonment of unsuccessful sculpting attempts.
AB - The discovery of female figurines at Brassempouy in the 1890's would launch more than a century of debate and interpretation concerning Paleolithic representations of women. The figurines emerged from the ground into a colonial intellectual and socio-political context nearly obsessed with matters of race. This early racial interpretive frame would only be replaced in the mid 20th century, when prehistorians turned to questions such as fertility and womanhood. The first figurines were discovered in 1892 under rather tortured circumstances in which their very ownership was the subject of a heated dispute between Edouard Piette and Emile Cartailhac. Their toxic relationship would lead Piette, in his subsequent excavations, to be extremely precise about issues of stratigraphic and spatial provenience. Piette's publications and archives enabled Henri Delporte to confirm the Gravettian attribution of the figurines and have allowed the present author to create a map of their spatial distribution within the site. Technological and microscopic analysis of the Brassempouy figurines resolves some lingering questions about the sex of certain of the figurines and suggests an original context of figurine fabrication and the abandonment of unsuccessful sculpting attempts.
KW - Brassempouy
KW - Female statuettes
KW - Grotte du Pape
KW - Venus figurines
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U2 - 10.1007/s10816-006-9023-z
DO - 10.1007/s10816-006-9023-z
M3 - Review article
VL - 13
SP - 250
EP - 303
JO - Journal of Archaeological Method and Theory
JF - Journal of Archaeological Method and Theory
SN - 1072-5369
IS - 4
ER -