The Rosenberg video: Testimonio, theatricality and baroque politics in contemporary Guatemala

Sebastian Calderon Bentin

Research output: Contribution to journalArticle

Abstract

This article focuses on the assassination of Guatemalan lawyer, Rodrigo Rosenberg, on 10 May 2009 and his videotaped accusation of the Colom administration, broadcast after his death. Rosenberg's self-produced video testimony, and the 'staging' of his own death, opens up questions about the role of testimonio and theatricality as modes of political address. I argue that the spectacular politics of the Rosenberg video, while drawing from the testimonio genre and incorporating electronic media, mark a return to a baroque conception of politics.

Original languageEnglish (US)
Pages (from-to)364-379
Number of pages16
JournalIdentities
Volume21
Issue number4
DOIs
StatePublished - Jan 1 2014

Fingerprint

Guatemala
video
death
electronic media
politics
staging
broadcast
testimony
lawyer
genre
Baroque
Testimonio
Theatricality

Keywords

  • baroque
  • Guatemala
  • Rodrigo Rosenberg
  • testimonio
  • theatricality
  • video

ASJC Scopus subject areas

  • Cultural Studies
  • Anthropology
  • Arts and Humanities (miscellaneous)

Cite this

The Rosenberg video : Testimonio, theatricality and baroque politics in contemporary Guatemala. / Bentin, Sebastian Calderon.

In: Identities, Vol. 21, No. 4, 01.01.2014, p. 364-379.

Research output: Contribution to journalArticle

Bentin, Sebastian Calderon. / The Rosenberg video : Testimonio, theatricality and baroque politics in contemporary Guatemala. In: Identities. 2014 ; Vol. 21, No. 4. pp. 364-379.
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