The good Russian prisoner: Naturalizing violence in the Caucasus mountains

Bruce Grant

    Research output: Contribution to journalReview article

    Abstract

    Beginning with a fabled narrative poem by Aleksandr Pushkin from 1822 entitled "Prisoner of the Caucasus," this article is an exploration of how the idiom of kidnapping - in the ritual seizure, taking, and most importantly, giving of bodies across perceived cultural lines - has been central to Russians' understanding of their troubled relations with the mountainous land holdings to their south for over 200 years. By juxtaposing classic ethnographic sources on Caucasian bride-kidnapping and the hostage taking of military figures as proxies in ritualized violence, alongside multiple renderings of Pushkin 's "good prisoner" story in poetry, prose, opera, ballet, and film, these seemingly apolitical artifacts of Russian popular culture work to generate a powerful symbolic economy of Russian belonging in the Caucasus Mountains.

    Original languageEnglish (US)
    Pages (from-to)39-67
    Number of pages29
    JournalCultural Anthropology
    Volume20
    Issue number1
    DOIs
    StatePublished - Feb 2005

    Fingerprint

    prisoner
    hostage-taking
    violence
    seizure
    opera
    Caucasian
    popular culture
    poetry
    religious behavior
    artifact
    Military
    narrative
    economy
    Mountains
    Prisoners
    Caucasus
    Prose Poetry
    Landholding
    Idioms
    Ethnographic

    Keywords

    • Caucasus
    • Gift
    • Kidnapping
    • Popular culture
    • Russia

    ASJC Scopus subject areas

    • Anthropology

    Cite this

    The good Russian prisoner : Naturalizing violence in the Caucasus mountains. / Grant, Bruce.

    In: Cultural Anthropology, Vol. 20, No. 1, 02.2005, p. 39-67.

    Research output: Contribution to journalReview article

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