The Arab Oedipus: ancient categories, modern fiction

Research output: Contribution to journalArticle

Abstract

This article examines the use of anagnorisis in five Arab adaptations of Oedipus Rex from the 1940s to the early 21st century. The article traces the progressive erosion of the force of anagnorisis in four of these plays—a reflection of a modernist and postmodernist move away from certainty, as well as the specific concerns of the Arab adaptors. The fifth play, Wajdi Mouawad’s Incendies/Scorched, is described as a return to the classical structure of anagnorisis with powerful effect. While this loose adaptation of Oedipus Rex explores universal themes, it is an undoubtedly Arab work and demonstrates that the role of anagnorisis is in large part culturally dependent on who or what we recognize.

Original languageEnglish (US)
Pages (from-to)64-77
Number of pages14
JournalMiddle Eastern Literatures
Volume20
Issue number1
DOIs
StatePublished - Jan 2 2017

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Oedipus
Fiction
Certainty
Modernist
Postmodernist
1940s
Erosion
21st Century

ASJC Scopus subject areas

  • Literature and Literary Theory

Cite this

The Arab Oedipus : ancient categories, modern fiction. / Kennedy, Philip.

In: Middle Eastern Literatures, Vol. 20, No. 1, 02.01.2017, p. 64-77.

Research output: Contribution to journalArticle

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