Re/Writing the Primitive: Art Criticism and the Circulation of Aboriginal Painting

Fred Myers

    Research output: Chapter in Book/Report/Conference proceedingChapter

    Original languageEnglish (US)
    Title of host publicationMeaning in the Visual Arts
    Subtitle of host publicationViews from the Outside
    EditorsIrving Lavin
    Place of PublicationPrinceton
    PublisherPrinceton University Press
    Pages65-84
    StatePublished - 1995

    Cite this

    Myers, F. (1995). Re/Writing the Primitive: Art Criticism and the Circulation of Aboriginal Painting. In I. Lavin (Ed.), Meaning in the Visual Arts: Views from the Outside (pp. 65-84). Princeton: Princeton University Press.

    Re/Writing the Primitive : Art Criticism and the Circulation of Aboriginal Painting. / Myers, Fred.

    Meaning in the Visual Arts: Views from the Outside. ed. / Irving Lavin. Princeton : Princeton University Press, 1995. p. 65-84.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    Myers, F 1995, Re/Writing the Primitive: Art Criticism and the Circulation of Aboriginal Painting. in I Lavin (ed.), Meaning in the Visual Arts: Views from the Outside. Princeton University Press, Princeton, pp. 65-84.
    Myers F. Re/Writing the Primitive: Art Criticism and the Circulation of Aboriginal Painting. In Lavin I, editor, Meaning in the Visual Arts: Views from the Outside. Princeton: Princeton University Press. 1995. p. 65-84
    Myers, Fred. / Re/Writing the Primitive : Art Criticism and the Circulation of Aboriginal Painting. Meaning in the Visual Arts: Views from the Outside. editor / Irving Lavin. Princeton : Princeton University Press, 1995. pp. 65-84
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