Interpretive activism and the political uses to Verdi's operas in the 1840s

Peter Stamatov

Research output: Contribution to journalArticle

Abstract

The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized inter-pretations of cultural objects.

Original languageEnglish (US)
Pages (from-to)345-366
Number of pages22
JournalAmerican Sociological Review
Volume67
Issue number3
DOIs
StatePublished - Jan 1 2002

Fingerprint

opera
symbolism
performance
interpretation
ability
resources

ASJC Scopus subject areas

  • Sociology and Political Science

Cite this

Interpretive activism and the political uses to Verdi's operas in the 1840s. / Stamatov, Peter.

In: American Sociological Review, Vol. 67, No. 3, 01.01.2002, p. 345-366.

Research output: Contribution to journalArticle

@article{9aab1e4af762471498d5a1c9b1c3f87d,
title = "Interpretive activism and the political uses to Verdi's operas in the 1840s",
abstract = "The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized inter-pretations of cultural objects.",
author = "Peter Stamatov",
year = "2002",
month = "1",
day = "1",
doi = "10.2307/3088961",
language = "English (US)",
volume = "67",
pages = "345--366",
journal = "American Sociological Review",
issn = "0003-1224",
publisher = "American Sociological Association",
number = "3",

}

TY - JOUR

T1 - Interpretive activism and the political uses to Verdi's operas in the 1840s

AU - Stamatov, Peter

PY - 2002/1/1

Y1 - 2002/1/1

N2 - The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized inter-pretations of cultural objects.

AB - The concept of interpretive activism as a relational position and a practical accomplishment is a useful analytical tool for the study of audiences conceived not as a conglomerate of individuals but as loose networks in which the ability to construct and impose political meanings is unequally distributed. An analysis of the political uses of Verdi's operas in the 1840s demonstrates the power of interpretive activists to impose on audience co-members a political interpretation of cultural objects. There is significant variation in the ways in which these operas were used for the construction of expressive collective statements by contemporary audiences. Opera performances were interpreted as symbolic representations of different political idioms, and audiences expressed their political stance by both affiliating with, and disaffiliating from, these performances. The practices of interpretive activists, not the patriotic symbolism inherent in the operas, account for this variation in outcome. Symbolism, along with the formal properties of opera and the normative enforcement of behavior, is just one of the different contextually grounded resources that interpretive activists use for the construction and imposition of politicized inter-pretations of cultural objects.

UR - http://www.scopus.com/inward/record.url?scp=0036623995&partnerID=8YFLogxK

UR - http://www.scopus.com/inward/citedby.url?scp=0036623995&partnerID=8YFLogxK

U2 - 10.2307/3088961

DO - 10.2307/3088961

M3 - Article

AN - SCOPUS:0036623995

VL - 67

SP - 345

EP - 366

JO - American Sociological Review

JF - American Sociological Review

SN - 0003-1224

IS - 3

ER -