In Memory of a Receding Dialectic

Notes on the Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

Original languageEnglish (US)
Title of host publicationThe Pleasure of Modernist Music
EditorsArved Ashby
Place of PublicationRochester
PublisherUniversity of Rochester Press
Pages68-100
StatePublished - 2004

Cite this

Scherzinger, M. (2004). In Memory of a Receding Dialectic: Notes on the Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics. In A. Ashby (Ed.), The Pleasure of Modernist Music (pp. 68-100). Rochester: University of Rochester Press.

In Memory of a Receding Dialectic : Notes on the Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics. / Scherzinger, Martin.

The Pleasure of Modernist Music. ed. / Arved Ashby. Rochester : University of Rochester Press, 2004. p. 68-100.

Research output: Chapter in Book/Report/Conference proceedingChapter (peer-reviewed)

Scherzinger, M 2004, In Memory of a Receding Dialectic: Notes on the Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics. in A Ashby (ed.), The Pleasure of Modernist Music. University of Rochester Press, Rochester, pp. 68-100.
Scherzinger M. In Memory of a Receding Dialectic: Notes on the Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics. In Ashby A, editor, The Pleasure of Modernist Music. Rochester: University of Rochester Press. 2004. p. 68-100
Scherzinger, Martin. / In Memory of a Receding Dialectic : Notes on the Political Relevance of Autonomy and Formalism in Modernist Musical Aesthetics. The Pleasure of Modernist Music. editor / Arved Ashby. Rochester : University of Rochester Press, 2004. pp. 68-100
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