Hybrid genres, performed subjectivities: The revoicing of public oratory in the moroccan marketplace

Research output: Contribution to journalArticle

Original languageEnglish (US)
Pages (from-to)53-86
Number of pages34
JournalWomen and Performance
Volume7
Issue number2
DOIs
StatePublished - Jan 1 1995

Fingerprint

subjectivity
genre
Subjectivity
Oratory

ASJC Scopus subject areas

  • Gender Studies
  • Visual Arts and Performing Arts

Cite this

Hybrid genres, performed subjectivities : The revoicing of public oratory in the moroccan marketplace. / Kapchan, Deborah A.

In: Women and Performance, Vol. 7, No. 2, 01.01.1995, p. 53-86.

Research output: Contribution to journalArticle

@article{94956123b6784873b4f0ff92260312ec,
title = "Hybrid genres, performed subjectivities: The revoicing of public oratory in the moroccan marketplace",
author = "Kapchan, {Deborah A.}",
year = "1995",
month = "1",
day = "1",
doi = "10.1080/07407709508571207",
language = "English (US)",
volume = "7",
pages = "53--86",
journal = "Women & Performance",
issn = "0740-770X",
publisher = "Taylor and Francis Ltd.",
number = "2",

}

TY - JOUR

T1 - Hybrid genres, performed subjectivities

T2 - The revoicing of public oratory in the moroccan marketplace

AU - Kapchan, Deborah A.

PY - 1995/1/1

Y1 - 1995/1/1

UR - http://www.scopus.com/inward/record.url?scp=84950939920&partnerID=8YFLogxK

UR - http://www.scopus.com/inward/citedby.url?scp=84950939920&partnerID=8YFLogxK

U2 - 10.1080/07407709508571207

DO - 10.1080/07407709508571207

M3 - Article

VL - 7

SP - 53

EP - 86

JO - Women & Performance

JF - Women & Performance

SN - 0740-770X

IS - 2

ER -