From hybridity to the aesthetics of garbage

Robert Stam

    Research output: Contribution to journalArticle

    Abstract

    This paper focuses on three related aspects of these aesthetics, specifically: 1) their constitutive hybridity; 2) their chronotopic multiplicity; and 3) their common motif of the redemption of detritus. After arguing the special qualifications of the cinema for realising such a hybrid, multitemporal aesthetic, I will conclude with the case of the Brazilian 'aesthetics of garbage' as the point of convergence of all our themes, specifically examining three films literally and figuratively 'about' garbage.

    Original languageEnglish (US)
    Pages (from-to)275-290
    Number of pages16
    JournalSocial Identities
    Volume3
    Issue number2
    DOIs
    StatePublished - Jan 1 1997

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    aesthetics
    cinema
    qualification

    ASJC Scopus subject areas

    • Sociology and Political Science

    Cite this

    From hybridity to the aesthetics of garbage. / Stam, Robert.

    In: Social Identities, Vol. 3, No. 2, 01.01.1997, p. 275-290.

    Research output: Contribution to journalArticle

    Stam, Robert. / From hybridity to the aesthetics of garbage. In: Social Identities. 1997 ; Vol. 3, No. 2. pp. 275-290.
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