From hybridity to the aesthetics of garbage

Research output: Contribution to journalArticle

Abstract

This paper focuses on three related aspects of these aesthetics, specifically: 1) their constitutive hybridity; 2) their chronotopic multiplicity; and 3) their common motif of the redemption of detritus. After arguing the special qualifications of the cinema for realising such a hybrid, multitemporal aesthetic, I will conclude with the case of the Brazilian 'aesthetics of garbage' as the point of convergence of all our themes, specifically examining three films literally and figuratively 'about' garbage.

Original languageEnglish (US)
Pages (from-to)275-290
Number of pages16
JournalSocial Identities
Volume3
Issue number2
DOIs
StatePublished - Jan 1 1997

Fingerprint

aesthetics
cinema
qualification

ASJC Scopus subject areas

  • Sociology and Political Science

Cite this

From hybridity to the aesthetics of garbage. / Stam, Robert.

In: Social Identities, Vol. 3, No. 2, 01.01.1997, p. 275-290.

Research output: Contribution to journalArticle

@article{3b33863459da439ea52e8693f2cff1b6,
title = "From hybridity to the aesthetics of garbage",
abstract = "This paper focuses on three related aspects of these aesthetics, specifically: 1) their constitutive hybridity; 2) their chronotopic multiplicity; and 3) their common motif of the redemption of detritus. After arguing the special qualifications of the cinema for realising such a hybrid, multitemporal aesthetic, I will conclude with the case of the Brazilian 'aesthetics of garbage' as the point of convergence of all our themes, specifically examining three films literally and figuratively 'about' garbage.",
author = "Robert Stam",
year = "1997",
month = "1",
day = "1",
doi = "10.1080/13504639752104",
language = "English (US)",
volume = "3",
pages = "275--290",
journal = "Social Identities",
issn = "1350-4630",
publisher = "Routledge",
number = "2",

}

TY - JOUR

T1 - From hybridity to the aesthetics of garbage

AU - Stam, Robert

PY - 1997/1/1

Y1 - 1997/1/1

N2 - This paper focuses on three related aspects of these aesthetics, specifically: 1) their constitutive hybridity; 2) their chronotopic multiplicity; and 3) their common motif of the redemption of detritus. After arguing the special qualifications of the cinema for realising such a hybrid, multitemporal aesthetic, I will conclude with the case of the Brazilian 'aesthetics of garbage' as the point of convergence of all our themes, specifically examining three films literally and figuratively 'about' garbage.

AB - This paper focuses on three related aspects of these aesthetics, specifically: 1) their constitutive hybridity; 2) their chronotopic multiplicity; and 3) their common motif of the redemption of detritus. After arguing the special qualifications of the cinema for realising such a hybrid, multitemporal aesthetic, I will conclude with the case of the Brazilian 'aesthetics of garbage' as the point of convergence of all our themes, specifically examining three films literally and figuratively 'about' garbage.

UR - http://www.scopus.com/inward/record.url?scp=7044286294&partnerID=8YFLogxK

UR - http://www.scopus.com/inward/citedby.url?scp=7044286294&partnerID=8YFLogxK

U2 - 10.1080/13504639752104

DO - 10.1080/13504639752104

M3 - Article

VL - 3

SP - 275

EP - 290

JO - Social Identities

JF - Social Identities

SN - 1350-4630

IS - 2

ER -