Drama in South Africa and tropes of postcoloniality

Awam Amkpa

Research output: Chapter in Book/Report/Conference proceedingChapter

Abstract

In this essay, Nigerian playwright and director Awam Amkpa, who has for years taught Community Drama in England, explores what he calls the ‘tropes of postcoloniality’ expressed in South African drama, and in academic approaches to South African and African drama more generally. Amkpa’s essay is strengthened by his rigorously defined and problematized multiple perspective: as a black African teaching in a predominantly white European context; as a theatre maker teaching textual practice and theory in a university setting; as a speaker of several languages whose ‘professional’ language for purposes of teaching must be English; and an ‘outsider’ to South African culture, still more ‘in’ than most of us who teach about ‘postcolonial theatres’ in the West. Amkpa’s essay follows on provocatively from the essays by Picardie and Walder in Part 2 of this volume, in that it takes ideas about language, empowerment, and disempowerment through the voice put forward in those authors’ two very different critical modes, and reviews the very notion of ‘postcoloniality’ from a critical, multiple perspective. It follows on intriguingly from Pietersen’s account of the Grahamstown Festival, in so far as Amkpa points to discrepancies on a large national and continental scale, mirroring in larger terms the signs which Pietersen found in microcosm-the signs of change in contemporary (South) African theatre.

Original languageEnglish (US)
Title of host publicationWomen, Politics and Performance in South African Theatre Today-3
PublisherTaylor and Francis
Pages1-17
Number of pages17
ISBN (Electronic)9781135293536
ISBN (Print)9789057550072
DOIs
StatePublished - Jan 1 2005

Fingerprint

Tropes
South Africa
Teaching
Drama
Postcoloniality
Africa
Language
England
Mirroring
Playwright
Continental
South African Theatre
Professional Language
Outsider
Textual Practices
Empowerment
African Culture
Microcosm

ASJC Scopus subject areas

  • Arts and Humanities(all)

Cite this

Amkpa, A. (2005). Drama in South Africa and tropes of postcoloniality. In Women, Politics and Performance in South African Theatre Today-3 (pp. 1-17). Taylor and Francis. https://doi.org/10.4324/9780203985700-4

Drama in South Africa and tropes of postcoloniality. / Amkpa, Awam.

Women, Politics and Performance in South African Theatre Today-3. Taylor and Francis, 2005. p. 1-17.

Research output: Chapter in Book/Report/Conference proceedingChapter

Amkpa, A 2005, Drama in South Africa and tropes of postcoloniality. in Women, Politics and Performance in South African Theatre Today-3. Taylor and Francis, pp. 1-17. https://doi.org/10.4324/9780203985700-4
Amkpa A. Drama in South Africa and tropes of postcoloniality. In Women, Politics and Performance in South African Theatre Today-3. Taylor and Francis. 2005. p. 1-17 https://doi.org/10.4324/9780203985700-4
Amkpa, Awam. / Drama in South Africa and tropes of postcoloniality. Women, Politics and Performance in South African Theatre Today-3. Taylor and Francis, 2005. pp. 1-17
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