Arts participation as cultural capital in the United States, 1982-2002: Signs of decline?

Paul Dimaggio, Toqir Mukhtar

    Research output: Contribution to journalArticle

    Abstract

    We analyzed Surveys of Public Participation in the Arts for 1982, 1992, and 2002 to see if trends in U.S. arts attendance are consistent with the perception of many sociologists of culture that the role of the arts as cultural capital is in decline. From a Bourdieuian perspective, a dramatic deflation in the value of the arts as cultural capital (the "meltdown scenario") would manifest itself in (1) large declines in high-culture arts participation rates (2) especially among the youngest cohorts that (3) are not evident in participation in middlebrow activities and (4) are concentrated among groups for whom cultural capital is most important, i.e. (4a) highly educated people and (4b) women.) Results are mixed. Trend data are not consistent with the meltdown scenario, but do suggest change in the position of different arts genres within cultural capital and ongoing attrition in the audience for many of the arts. Consistent with the decline perspective, younger cohorts' attendance rates have fallen for most high-culture performing-arts attendance activities. (Because college attendance increased in the 1960s, the decline is not visible in the middle cohorts until one disaggregates by education level.) In contrast to the decline perspective, however, declines are as bad or worse for several middlebrow cultural activities; attendance rates for art museums and jazz concerts have increased; and rates have declined more slowly for women and college graduates than for others. Two changes are evident: first, greater elite and general interest in the visual arts and jazz and less in classical music, ballet, and theatre (trends consistent with Peterson's "omnivore theory," aspects of postmodern theory, and the notion that the content of cultural capital evolves over time); and, second, gradual decline among almost all age/gender/education groups in rates of attendance at live cultural events broadly defined, probably reflecting greater competition from at-home entertainment options and changes in population composition and family structure.

    Original languageEnglish (US)
    Pages (from-to)169-194
    Number of pages26
    JournalPoetics
    Volume32
    Issue number2
    DOIs
    StatePublished - Apr 2004

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    cultural capital
    Education
    art
    participation
    Theaters
    Museums
    Chemical analysis
    jazz
    trend
    Art
    Cultural Capital
    Participation
    scenario
    cultural event
    group education
    deflation
    concert
    family structure
    entertainment
    sociologist

    ASJC Scopus subject areas

    • Language and Linguistics
    • Linguistics and Language
    • Sociology and Political Science

    Cite this

    Arts participation as cultural capital in the United States, 1982-2002 : Signs of decline? / Dimaggio, Paul; Mukhtar, Toqir.

    In: Poetics, Vol. 32, No. 2, 04.2004, p. 169-194.

    Research output: Contribution to journalArticle

    Dimaggio, Paul ; Mukhtar, Toqir. / Arts participation as cultural capital in the United States, 1982-2002 : Signs of decline?. In: Poetics. 2004 ; Vol. 32, No. 2. pp. 169-194.
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