An experimental comparison of formal measures of rhythmic syncopation

Francisco Gómez, Eric Thul, Godfried Toussaint

Research output: Contribution to conferencePaper

Abstract

Rhythmic syncopation is one of the most fundamental features that can be used to characterize music. Therefore it can be applied in a variety of domains such as music information retrieval and style analysis. During the past twenty years a score of different formal measures of rhythmic syncopation have been proposed in the music literature. Here we compare eight of these measures with each other and with human judgements of rhythmic complexity. A data set of 35 rhythms ranked by human subjects was sorted using the eight syncopation measures. A Spearman rank correlation analysis of the rankings was carried out, and phylogenetic trees were calculated to visualize the resulting matrix of coefficients. The main finding is that the measures based on perception principles agree well with human judgements and very well with each other. The results also yield several surprises and open problems for further research.

Original languageEnglish (US)
Pages101-104
Number of pages4
StatePublished - Jan 1 2007
EventInternational Computer Music Conference, ICMC 2007 - Copenhagen, Denmark
Duration: Aug 27 2007Aug 31 2007

Other

OtherInternational Computer Music Conference, ICMC 2007
CountryDenmark
CityCopenhagen
Period8/27/078/31/07

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ASJC Scopus subject areas

  • Media Technology
  • Computer Science Applications
  • Music

Cite this

Gómez, F., Thul, E., & Toussaint, G. (2007). An experimental comparison of formal measures of rhythmic syncopation. 101-104. Paper presented at International Computer Music Conference, ICMC 2007, Copenhagen, Denmark.