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Gregor Stemmrich

Professor of Art and Art History

    1983 …2018
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    Research Output 1983 2018

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    Chapter
    2018

    “History and Heritage: His Story and Her Restaging. On Sandra Peter’s Sculpture,”

    Stemmrich, G., 2018, Per/Trans – Performing the Cube / Transforming the Cube. Works by Sandra Peters 1998-2017. p. 9-19

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2014

    “Concept, Information, Material – On Conceptual Art’s Renegotiation of the Cultural Existence of Art,” in: exh. cat.

    Stemmrich, G., 2014, Musée à vendre pour cause de faillite. Werke und Dokumente aus der Herbert Foundation and mumok in Dialogue. Discours. p. 47-97

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Das Kunstmuseum und der / als der Kunstkontext,”

    Stemmrich, G., 2014, “Das Kunstmuseum und der / als der Kunstkontext,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2013

    Spanish translation: “Mostar y contar – dibujar y ecribir,” 154-158

    Stemmrich, G., 2013, Spanish translation: “Mostar y contar – dibujar y ecribir,” 154-158.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Foreword,” in: Marie-France Rafael

    Stemmrich, G., 2013, “Foreword,” in: Marie-France Rafael. p. 7-9

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Frank Stella – ‘What Painting Wants’,” in: exh. cat. Frank Stella Retrospective.

    Stemmrich, G., 2013, “Frank Stella – ‘What Painting Wants’,” in: exh. cat. Frank Stella Retrospective..

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Piet Mondrian – Barnett Newman – Dan Flavin. Painting as Medium and Model,”

    Stemmrich, G., 2013, “Piet Mondrian – Barnett Newman – Dan Flavin. Painting as Medium and Model,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Showing & Telling – Drawing & Writing,” in: exh. cat. Lawrence Weiner Drawings – Written on the Wind, Museu d’Art Contemporani de Barcelona

    Stemmrich, G., 2013, “Showing & Telling – Drawing & Writing,” in: exh. cat. Lawrence Weiner Drawings – Written on the Wind, Museu d’Art Contemporani de Barcelona.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2012

    “Zur Einrichtung der Forschergruppe Transkulturelle Verhandlungsräume von Kunst (FOR1703) am Kunsthistorischen Institut der Freien Universität Berlin,”

    Stemmrich, G., 2012, “Zur Einrichtung der Forschergruppe Transkulturelle Verhandlungsräume von Kunst (FOR1703) am Kunsthistorischen Institut der Freien Universität Berlin,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2011

    “Heimo Zobernig’s Exhibition one Titel (in Red) – (Not) A Retrospective,”

    Stemmrich, G., 2011, “Heimo Zobernig’s Exhibition one Titel (in Red) – (Not) A Retrospective,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2009

    German edition: “‘Über das Wesen von etwas sprechen’ – Geschichte, Diskurs, Mythos im Werk von Cy Twombly,”

    Stemmrich, G., 2009, German edition: “‘Über das Wesen von etwas sprechen’ – Geschichte, Diskurs, Mythos im Werk von Cy Twombly,” in.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Dan Graham’s Cinema and Film Theory,” in: Art of Projection, ed. by Stan Douglas, Ostfildern: Hatje Cantz,

    Stemmrich, G., 2009, “Dan Graham’s Cinema and Film Theory,” in: Art of Projection, ed. by Stan Douglas, Ostfildern: Hatje Cantz,.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “‘Talking about the essence of something’ – History, Discourse, and Myth in Cy Twombly’s Work,” in:

    Stemmrich, G., 2009, “‘Talking about the essence of something’ – History, Discourse, and Myth in Cy Twombly’s Work,” in:.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2008

    Recension: „Liz Kotz: Words to be looked at – Language in 1960s Art,“

    Stemmrich, G., 2008, Recension: „Liz Kotz: Words to be looked at – Language in 1960s Art,“.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Film als Dance Floor konzeptueller Kunst,” in: Tanzende Bilder

    Stemmrich, G., 2008, “Film als Dance Floor konzeptueller Kunst,” in: Tanzende Bilder.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2007

    “Displacement-Konzepte der Auseinandersetzung mit Landschaft in der amerikanischen Nachkriegsmoderne,”

    Stemmrich, G., 2007, “Displacement-Konzepte der Auseinandersetzung mit Landschaft in der amerikanischen Nachkriegsmoderne,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Dispositiv,” in: Texte zur Kunst – Kurzführer/Shortguide, June 2007, 17, issue 66, 47-51

    Stemmrich, G., 2007, “Dispositiv,” in: Texte zur Kunst – Kurzführer/Shortguide, June 2007, 17, issue 66, 47-51.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Gerhard Richter – Malerei als Entzugserscheinung,”

    Stemmrich, G., 2007, “Gerhard Richter – Malerei als Entzugserscheinung,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Lawrence Weiner – HELD TOGETHER WITH WATER,”

    Stemmrich, G., 2007, HELD TOGETHER WITH WATER, Kunst aus der Sammlung Verbund /Art from the Sammlung Verbund.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Lawrence Weiner – Material, Language, Tic-Tac-Toe,” in: AS FAR AS THE EYE CAN SEE – Lawrence Weiner 1960 – 2007

    Stemmrich, G., 2007, “Lawrence Weiner – Material, Language, Tic-Tac-Toe,” in: AS FAR AS THE EYE CAN SEE – Lawrence Weiner 1960 – 2007.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Mise en Scène – On the Relationship of Sculpture and Film in Holly Zausner’s Film unseen,”

    Stemmrich, G., 2007, “Mise en Scène – On the Relationship of Sculpture and Film in Holly Zausner’s Film unseen,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Zeichen Zeichnen Zeit,” in: Ausst.-Kat. Sandra Peters, Kunstmuseum Bonn, 17-23

    Stemmrich, G., 2007, “Zeichen Zeichnen Zeit,” in: Ausst.-Kat. Sandra Peters, Kunstmuseum Bonn, 17-23.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2006

    “Ästhetische und historische Reflexion im Werk von Stan Douglas,”

    Stemmrich, G., 2006, “Ästhetische und historische Reflexion im Werk von Stan Douglas,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Conceptual Art – Begriff und Wirklichkeit,”

    Stemmrich, G., 2006, “Conceptual Art – Begriff und Wirklichkeit,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Heterotopias of the Cinematographic: Institutional Critique and Cinema in the Art of Michael Asher and Dan Graham,”

    Stemmrich, G., 2006, “Heterotopias of the Cinematographic: Institutional Critique and Cinema in the Art of Michael Asher and Dan Graham,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Nothing but Piece Work, in: Felix Gonzalez-Torres,”

    Stemmrich, G., 2006, “Nothing but Piece Work, in: Felix Gonzalez-Torres,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2005

    “Between the Image and the Visual,”

    Stemmrich, G., 2005, “Between the Image and the Visual,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Media Art Net – A Paradigm for Media Art Mediation,”

    Stemmrich, G., 2005, “Media Art Net – A Paradigm for Media Art Mediation,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2004

    “Lawrence Weiner – Material and Methodology,”

    Stemmrich, G., 2004, “Lawrence Weiner – Material and Methodology,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Skulptur und Fotografie im Wechselspiel,”: “The Interaction between Sculpture and Photography,”

    Stemmrich, G., 2004, “Skulptur und Fotografie im Wechselspiel,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2003

    “Between Exaltation and Musing Contemplation. Jeff Wall’s Restitution of the Programm of peinture de la vie moderne,”

    Stemmrich, G., 2003, “Between Exaltation and Musing Contemplation. Jeff Wall’s Restitution of the Programm of peinture de la vie moderne,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Künstlerische Konzepte der Historisierung und Kontextualisierung der Minimal Art und Conceptual Art,”

    Stemmrich, G., 2003, “Künstlerische Konzepte der Historisierung und Kontextualisierung der Minimal Art und Conceptual Art,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2002

    “Dan Grahams Time Delay Room I,”

    Stemmrich, G., 2002, “Dan Grahams Time Delay Room I,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Models of Reception – Art as a Form of Reflecting its Own History,”

    Stemmrich, G., 2002, “Models of Reception – Art as a Form of Reflecting its Own History,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Zeichensetzung zwischen Marcel Broodthaers und Jasper Johns,”

    Stemmrich, G., 2002, “Zeichensetzung zwischen Marcel Broodthaers und Jasper Johns,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2001

    “Einleitung,”

    Stemmrich, G., 2001, “Einleitung,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Heterotopien des Kinematographischen – Die institutional critique und das Kino in der Kunst Michael Ashers und Dan Grahams,”

    Stemmrich, G., 2001, “Heterotopien des Kinematographischen – Die institutional critique und das Kino in der Kunst Michael Ashers und Dan Grahams,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Liam Gillick – ‘A Debate about Debate’,”

    Stemmrich, G., 2001, “Liam Gillick – ‘A Debate about Debate’,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Minimal Art. Minimal Art aus den Sammlungen FER, Froehlich und Siegfried Weishaupt,”

    Stemmrich, G., 2001, “Minimal Art. Minimal Art aus den Sammlungen FER, Froehlich und Siegfried Weishaupt,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    2000

    Recension: “Hieb- und Stichfest. Conceptual Art: A Critical Anthology, ed. by Alexander Alberro und Blake Stimson,“

    Stemmrich, G., 2000, Recension: “Hieb- und Stichfest. Conceptual Art: A Critical Anthology, ed. by Alexander Alberro und Blake Stimson,“.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Rauschenbergs Bed und die europäischen Vorläufer des combine painting,”

    Stemmrich, G., 2000, “Rauschenbergs Bed und die europäischen Vorläufer des combine painting,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    1998

    “Minimal Art – Underlying Concepts,”

    Stemmrich, G., 1998, “Minimal Art – Underlying Concepts,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “The Science in/of Art,”

    Stemmrich, G., 1998, “The Science in/of Art,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Weniger ist mehr – Das kritische Potential minimalistischer Kunst,”

    Stemmrich, G., 1998, “Weniger ist mehr – Das kritische Potential minimalistischer Kunst,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “‘Die helle Kammer’ – Isa Genzken’s Fotoarbeit Spiegel,”

    Stemmrich, G., 1998, “‘Die helle Kammer’ – Isa Genzken’s Fotoarbeit Spiegel,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    1997

    “Dan Graham’s Homes for America (1966) – The Artist as Photojournalist and the Discovery of the Suburbs,”

    Stemmrich, G., 1997, “Dan Graham’s Homes for America (1966) – The Artist as Photojournalist and the Discovery of the Suburbs,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Einleitung,”: Essays und Interviews,

    Stemmrich, G., 1997, Essays und Interviews,.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    “Einleitung,” in: Jasper Johns

    Stemmrich, G., 1997, “Einleitung,” in: Jasper Johns.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    1996

    “Dan Grahams Cinema und die Filmtheorie,”

    Stemmrich, G., 1996, “Dan Grahams Cinema und die Filmtheorie,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter

    1995

    “Art in a Pragmatic Continuum,”

    Stemmrich, G., 1995, “Art in a Pragmatic Continuum,”.

    Research output: Chapter in Book/Report/Conference proceedingChapter